For the second week in a row, I had two choices. Dolphin Tale 2: the sequel to a trite kids movie full of structural issues or No Good Deed. Since No Good Deed looked like what would happen if you tried to re-enact Labor Day at home (i.e. oh no, a bad man is trying to kill me!), I opted for the more upbeat option.
A teenage boy stands to lose his disabled dolphin friend if the aquarium can’t find a female playmate for her by the government deadline.
The big problem with Dolphin Tale was that they took a great true story about a disabled dolphin learning to swim again and pushed it into the background so some little kids could make trite speeches. Thankfully, the sequel is much better. It’s moving instead of trite and adorable instead of annoying. Cuteness for the whole family.
While I have to give this movie credit for acknowledging that there’s never just one copy of a thing in the digital age (something action movies like Skyfall and Jack Ryan have yet to clue into) it’s still pretty dumb. Why are these people flailing across the nation thinking they can get every copy back? THIS IS DIGITAL. THERE ARE INFINITE COPIES. YOU WILL NEVER GET THEM ALL. They would have done better to explore the comedy inherent in the two of them becoming overnight internet porn celebrities.
THE PURGE: ANARCHY
What is it, stupid premise day? Horror movies get a certain amount of leeway as far as believability goes, but this one pushes the envelope right over a cliff. National legal crime day is not only stupid (who would live in a country where everyone was allowed to kill them? And who wants to rebuild their entire nation every year after the criminals destroy it?) but it wouldn’t work. Criminals would not wait 364 days to get revenge if someone pissed them off the day after the purge. Also, how dumb are those two who decided to go for a drive just before the purge started?
PLANES: FIRE AND RESCUE
I know Planes didn’t go over well with anyone other than me, but this is a cool idea for a movie. Firefighting AND planes! Firefighting planes! I’m even willing to overlook the fact that Dusty is way too small of a plane to be much help in fighting forest fires. I mean, how much water could he hold in his tank? And how would he scoop it up? Poor Dusty doesn’t look like he could put out a campfire. But he’s still a plane that fights fires so I’ll see it.
I think it’s a cool idea to make a movie where the kid grows up on screen, and it looks like a good movie, but it’s kind of like a Guinness record attempt – the only reason to do it is for the pleasure of knowing you’re the only one who has. It just seems like 11 extra years of work when you could have made a good movie in a year by hiring a herd of brothers who all look alike or something.
I guess this is what you do when you want to make a post-apocalyptic action movie on a small budget. Set it on a train. It looks okay, but it does seem a little silly. I mean, their whole goal is to get to the front of the train. When they get there, they’ll still be on a train.
WISH I WAS HERE
It looks okay I guess. I remember liking Garden State many moons ago so I’d probably like this one as well. There just wasn’t anything in the trailer that really jumped out at me and made me say “Yes! This one! I want to see this one!” All I got was a vague sense of puzzlement… was that a hovering robot??
This week I refused to see Tammy on the grounds that it’s just a giant fat joke. I also rejected Earth to Echo, because I saw E.T. and have no desire to watch a remake starring annoying modern kids. Deliver Us From Evil didn’t look all that special either, but it had three things to recommend itself by: Eric Bana, Edgar Ramirez, and Sinister.
A police officer with a talent for finding trouble turns to a renegade priest for help tracking down a painter possessed by evil.
I was expecting hot guys and some good scares from this movie, but I only got one out of two. Eric Bana and Edgar Ramirez were still worth the ticket price, but writer/director Scott Derrickson failed to recreate the “I am about to chew my own fingers off” tension levels I remember so well from Sinister.
DELIVER US FROM EVIL
Who buys their kid creepy-ass toys like that? That owl thing was scary even before it started moving on its own. The cop angle on this is cool (if not that original) plus: Eric Bana! I lost interest a little bit when they dropped the cop stuff to focus on the guy’s home life, but perked up again when I saw it was directed by the same guy who did Sinister. That guy knows that the key to a movie actually being scary is to have the audience scouring each frame for the monster… and having it not be there… until it IS. I’ll see this one.
So are we just remaking old Chris Farley movies with Melissa McCarthy now? “Hur hur, look, she’s FAT and DUMB! Hur hur!” Come on. She’s way funnier than this.
EARTH TO ECHO
Speaking of remakes: hello again, E.T.. Can’t say I’m fond of your Super 8 makeover.
EDGE OF TOMORROW
This movie looks awesome and stupid at the same time. Dying every day and waking up to do a big battle over again until you get it right? Awesome. The suits they wear in said battle? Stupid. They’re clunky and they offer no protection at all (I guess if you just keep waking up again it doesn’t matter if you get shot?) Their only purpose seems to be as a framework for hoisting their massive, ridiculous guns.
THE FAULT IN OUR STARS
Again, I do and I don’t want to see this movie. I’m sure it’s cute and romantic and meaningful, but one or both of them is dying, so there’s no getting around the fact that it’s going to be really f***ing depressing. So I guess the question is: do I want to be sad all weekend?
To me, Jon Favreau will always be the guy who made Iron Man hilarious and awesome. But who’s to say he couldn’t make independent dramedies about cooking awesome and hilarious as well?
I’m pretty sure Robyn Davidson is who they were making fun of in Priscilla: Queen of the Desert, when the lady dragging the little blinking light would run by. It’s an inspiring story and Mia Wasikowska is a great actress, but I feel like this movie will have to work really hard not to be boring. Struggling alone makes for a compelling autobiography, but put it on screen and it’s just a woman squinting at the horizon.
This movie was some sort of Cineplex contest winner. I’ve been seeing ads for this for months. Looks pretty funny. Maybe I’ll see it someday. Our theater’s not currently on the Wolfcop list.